Surimpressionism 2012 (2/2)

Taking advantage of the technical possibilities of the Nikon D4 and D5 cameras It was possible realize, during the shooting, a superimposition of images (from 1 to 9 in a maximum delay of 30 seconds), directly on the sensor.
Contrary to a post-production work with photographic retouching software, this practice requires reflection prior to shooting. It is imperative to take into account as precisely as possible the following parameters: general and spotted lighting, contrasts, color range, possible movements of the scene or subjects to be superimposed to obtain an interesting effect, either by addition or subtraction.
This direct exercise “without net”, has fascinated me for several years.  Here is the second of the three collections made in this spirit.