{"id":7933,"date":"2021-01-10T13:29:56","date_gmt":"2021-01-10T12:29:56","guid":{"rendered":"https:\/\/www.francoisburgher.fr\/?post_type=book&#038;p=7933"},"modified":"2021-02-13T12:29:05","modified_gmt":"2021-02-13T11:29:05","slug":"surimpressionism-2012-2-2","status":"publish","type":"book","link":"https:\/\/www.francoisburgher.fr\/en\/book\/surimpressionism-2012-2-2\/","title":{"rendered":"Surimpressionism 2012 (2\/2)"},"content":{"rendered":"<p>Taking advantage of the technical possibilities of the Nikon D4 and D5 cameras It was possible realize, during the shooting, a superimposition of images (from 1 to 9 in a maximum delay of 30 seconds), directly on the sensor.<br \/>\nContrary to a post-production work with photographic retouching software, this practice requires reflection prior to shooting. It is imperative to take into account as precisely as possible the following parameters: general and spotted lighting, contrasts, color range, possible movements of the scene or subjects to be superimposed to obtain an interesting effect, either by addition or subtraction.<br \/>\nThis direct exercise &#8220;without net&#8221;, has fascinated me for several years. \u00a0Here is the second of the three collections made in this spirit.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Taking advantage of the technical possibilities of the Nikon D4 and D5 cameras It was possible realize, during the shooting, a superimposition of images (from 1 to 9 in a maximum delay of 30 seconds), directly on the sensor. Contrary to a post-production work with photographic retouching software, this practice requires reflection prior to shooting. [&hellip;]<\/p>\n","protected":false},"featured_media":7885,"template":"","meta":{"_acf_changed":false},"class_list":["post-7933","book","type-book","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Surimpressionism 2012 (2\/2) - Fran\u00e7ois Burgher<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.francoisburgher.fr\/en\/book\/surimpressionism-2012-2-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Surimpressionism 2012 (2\/2) - Fran\u00e7ois Burgher\" \/>\n<meta property=\"og:description\" content=\"Taking advantage of the technical possibilities of the Nikon D4 and D5 cameras It was possible realize, during the shooting, a superimposition of images (from 1 to 9 in a maximum delay of 30 seconds), directly on the sensor. Contrary to a post-production work with photographic retouching software, this practice requires reflection prior to shooting. [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.francoisburgher.fr\/en\/book\/surimpressionism-2012-2-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Fran\u00e7ois Burgher\" \/>\n<meta property=\"article:modified_time\" content=\"2021-02-13T11:29:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.francoisburgher.fr\/app\/uploads\/2020\/12\/IMG_20201220_0955152500-70-web-CO21-Francois-BURGHER-photos-images-Paris-photographe-photographer.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2481\" \/>\n\t<meta property=\"og:image:height\" content=\"2500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.francoisburgher.fr\\\/en\\\/book\\\/surimpressionism-2012-2-2\\\/\",\"url\":\"https:\\\/\\\/www.francoisburgher.fr\\\/en\\\/book\\\/surimpressionism-2012-2-2\\\/\",\"name\":\"Surimpressionism 2012 (2\\\/2) - Fran\u00e7ois Burgher\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.francoisburgher.fr\\\/fr\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.francoisburgher.fr\\\/en\\\/book\\\/surimpressionism-2012-2-2\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.francoisburgher.fr\\\/en\\\/book\\\/surimpressionism-2012-2-2\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.francoisburgher.fr\\\/app\\\/uploads\\\/2020\\\/12\\\/IMG_20201220_0955152500-70-web-CO21-Francois-BURGHER-photos-images-Paris-photographe-photographer.jpg\",\"datePublished\":\"2021-01-10T12:29:56+00:00\",\"dateModified\":\"2021-02-13T11:29:05+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.francoisburgher.fr\\\/en\\\/book\\\/surimpressionism-2012-2-2\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.francoisburgher.fr\\\/en\\\/book\\\/surimpressionism-2012-2-2\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.francoisburgher.fr\\\/en\\\/book\\\/surimpressionism-2012-2-2\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.francoisburgher.fr\\\/app\\\/uploads\\\/2020\\\/12\\\/IMG_20201220_0955152500-70-web-CO21-Francois-BURGHER-photos-images-Paris-photographe-photographer.jpg\",\"contentUrl\":\"https:\\\/\\\/www.francoisburgher.fr\\\/app\\\/uploads\\\/2020\\\/12\\\/IMG_20201220_0955152500-70-web-CO21-Francois-BURGHER-photos-images-Paris-photographe-photographer.jpg\",\"width\":2481,\"height\":2500},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.francoisburgher.fr\\\/en\\\/book\\\/surimpressionism-2012-2-2\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.francoisburgher.fr\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Surimpressionism 2012 (2\\\/2)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.francoisburgher.fr\\\/fr\\\/#website\",\"url\":\"https:\\\/\\\/www.francoisburgher.fr\\\/fr\\\/\",\"name\":\"Fran\u00e7ois Burgher\",\"description\":\"Un site utilisant WordPress\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.francoisburgher.fr\\\/fr\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Surimpressionism 2012 (2\/2) - Fran\u00e7ois Burgher","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.francoisburgher.fr\/en\/book\/surimpressionism-2012-2-2\/","og_locale":"en_US","og_type":"article","og_title":"Surimpressionism 2012 (2\/2) - Fran\u00e7ois Burgher","og_description":"Taking advantage of the technical possibilities of the Nikon D4 and D5 cameras It was possible realize, during the shooting, a superimposition of images (from 1 to 9 in a maximum delay of 30 seconds), directly on the sensor. Contrary to a post-production work with photographic retouching software, this practice requires reflection prior to shooting. 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